Colombian Culture - Film and Television

Film and Television

See also: Cinema of Colombia and Television in Colombia

The interest for the film production came late to Colombia. Vicente and Francisco Di Doménico, of Italian origin, were the pioneers in the films production. In 1912, it is inaugurated the first movie theater in Colombia: the Salón Olympia, with a capacity of three thousand people. The most outstanding directors of the film production are Sergio Cabrera, Felipe Aljure, Luís Ospina, Víctor Gaviria, and Carlos Mayolo. Between the most recent proposals, we find to Andy Baíz and Juan Felipe Orozco, director of "Al final del espectro". The work of Dago García and Rodrigo Triana is in a commercial line.

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Famous quotes containing the words film and, film and/or television:

    “The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
    —Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)

    “I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you’re making a horror film doesn’t mean you can’t make an artful film.”
    —David Cronenberg (b. 1943)

    “In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
    —New Yorker (April 23, 1990)