Film Appearances
Gray appeared in two 1947 films noir: in Kiss of Death as ex-con Victor Mature's wife and Richard Widmark's target, and in Nightmare Alley as "Electra", Tyrone Power's carnival performer wife. In 1948, she appeared as John Wayne's love interest in the opening sequences of Red River, but, overshadowed by the men in Howard Hawks's western, her career suffered and Fox ended her contract in 1950. Gray worked steadily in the 1950s. She played a crooked nurse in The Sleeping City (1950) and appeared in Kansas City Confidential (1952) and the Stanley Kubrick film noir The Killing (1956), in which she played a lonely woman desperate for love. Other films included Father Is a Bachelor (1950), the cult horror film The Leech Woman (1960), The Phantom Planet (1961), and P.J. (1968).
She made only one film in the '70s, The Late Liz (1971). She also appeared in one in the '80s, the religious film Cry From the Mountain (1986), produced by Billy Graham. She acted in the films Forgotten Lady (1977), and Mother (1978) with Patsy Ruth Miller. Mother had a premiere at the Museum of Modern Art in New York City.
In 1964, along with actors Victor Jory and Susan Seaforth, Gray testified before the United States Congress as part of "Project Prayer," arguing in favor of a constitutional amendment allowing school prayer.
Read more about this topic: Coleen Gray
Famous quotes containing the words film and/or appearances:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television (Summer 1992)
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