Criticism
Kate Summerscale wrote that the "Englishness and datedness of the original game are intrinsic to its appeal". She notes that "the contemporary detail is bound to feel tacky before long". She concludes that elements of Cluedo have become cultural reference points, and states that "the game itself has always had a nostalgic aura, blurrily reminiscent of creepy old houses and buried family secrets". Journalist Cole Moreton compares the release of the new game to the New Coke debacle in 1985 and suggests it is only a matter of time before Hasbro makes the correction. In the mean time, he suggests that one should "borrow granny's. Far better to die in England than Blingland". Robert Colvile of the Telegraph questions Hasbro's stated rationale: "that the game should reflect 21st-century society - but do its makers really imagine that the faux-Edwardiana of the original, in which the vicar and the doctor and the local spinster gathered at the manor, was an accurate reflection of late-1940s society?" and suggests that "the appeal of these games is not that they reflect the real world, but that they take you away from it."
Read more about this topic: Cluedo: Discover The Secrets
Famous quotes containing the word criticism:
“A friend of mine spoke of books that are dedicated like this: “To my wife, by whose helpful criticism ...” and so on. He said the dedication should really read: “To my wife. If it had not been for her continual criticism and persistent nagging doubt as to my ability, this book would have appeared in Harper’s instead of The Hardware Age.””
—Brenda Ueland (1891–1985)
“People try so hard to believe in leaders now, pitifully hard. But we no sooner get a popular reformer or politician or soldier or writer or philosopher—a Roosevelt, a Tolstoy, a Wood, a Shaw, a Nietzsche, than the cross-currents of criticism wash him away. My Lord, no man can stand prominence these days. It’s the surest path to obscurity. People get sick of hearing the same name over and over.”
—F. Scott Fitzgerald (1896–1940)
“The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
—Susan Sontag (b. 1933)