Works
- Claude Bolling Plays Duke Ellington (1959)
- Cat Anderson, Claude Bolling And Co. (1965)
- Original Ragtime (1966)
- Original Boogie Woogie (1968)
- Original Piano Blues (1969)
- Original Jazz Classics (1970)
- Original Piano Greats (1972)
- Swing Session (1973)
- Jazz Party (1975)
- With the Help of My Friends (1975)
- Keep Swingin' Volume 4 (1975)
- Suite for Flute and Jazz Piano (1975)
- Hot Sounds (1976)
- Concerto for Guitar and Jazz Piano Trio (1975)
- Suite for Violin and Jazz Piano Trio (1977)
- California Suite (1978)
- Jazz Gala 79 (1979)
- Just For Fun (1980)
- Picnic Suite for Guitar, Flute and Jazz Piano Trio (1980)
- Toot Suite (1981)
- Claude Bolling (1981)
- Reds (1981)
- Suite for Chamber Orchestra and Jazz Piano Trio (1983)
- Suite for Cello and Jazz Piano Trio (1984)
- Jazz à la Francaise (1984)
- Live at the Meridien (1985)
- Suite No. 2 for Flute and Jazz Piano Trio (1987)
- Nuances (1988)
- Sonatas for Two Pianos (1989)
- Cross Over U.S.A. (1993)
- Enchanting Versailles - Strictly Classical (1994)
- A Drum is a Woman (1997)
- Tribute To The Piano Greats (2003)
Read more about this topic: Claude Bolling
Famous quotes containing the word works:
“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour daywho works at a job and then takes on a second shift with the kids every nightis much more likely to adopt the survivors motto: If it works, Ill use it. From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just dont get it.”
—Ron Taffel (20th century)
“Its an old trick now, God knows, but it works every time. At the very moment women start to expand their place in the world, scientific studies deliver compelling reasons for them to stay home.”
—Mary Kay Blakely (20th century)
“The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.”
—William James (18421910)