Plot
Dr. Peña (Esposito), a cryptozoologist, manages to capture a live chupacabra on a remote Caribbean island and smuggles it aboard the cruise ship Regent Queen, commanded by Captain Randolph (Rhys-Davies) with the assistance of his young daughter, and ship fitness instructor, Jenny (Simmons). The Regent Queen has been experiencing a rash of burglaries, and Federal Marshal Lance Thompson (Neal) is brought on board to investigate.
The creature soon escapes from captivity, leaving the passengers at its mercy on the sea. U.S. Navy Seals are called in to help stop the creature, but their efforts are hindered by Dr. Peña, who believes the creature's life is more valuable than the lives of those aboard. The Navy Seals are killed off one by one by the beast and Dr. Peña resorts to using Jenny as live bait to recapture the Chupacabra. However, he is foiled when the beast outsmarts and fatally wounds him. Jenny is saved by Lance and they meet up with her father, who has set the engines to explode as all the other passengers have been evacuated. They flee on a lifeboat moments before the ship blows up, taking the beast with it. Captain Randolph decides to retire and write his memoirs.
Read more about this topic: Chupacabra: Dark Seas
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)