Interior Decoration
Various European monarchs, such as Louis XV of France, gave special favor to Chinoiserie, as it blended well with the rococo style. Entire rooms, such as those at Château de Chantilly, were painted with Chinoiserie compositions, and artists such as Antoine Watteau and others brought expert craftsmanship to the style. Pleasure pavilions in "Chinese taste" appeared in the formal parterres of late Baroque and Rococo German and Russian palaces, and in tile panels at Aranjuez near Madrid. The whole Chinese Villages were built in Drottningholm, Sweden and Tsarskoe Selo, Russia. Thomas Chippendale's mahogany tea tables and china cabinets, especially, were embellished with fretwork glazing and railings, ca 1753 - 70, but sober homages to early Qing scholars' furnishings were also naturalized, as the tang evolved into a mid-Georgian side table and squared slat-back armchairs suited English gentlemen as well as Chinese scholars. Not every adaptation of Chinese design principles falls within mainstream "chinoiserie." Chinoiserie media included "japanned" ware imitations of lacquer and painted tin (tôle) ware that imitated japanning, early painted wallpapers in sheets, after engravings by Jean-Baptiste Pillement, and ceramic figurines and table ornaments.
Read more about this topic: Chinoiserie
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“Prose is architecture, not interior decoration, and the Baroque is over.”
—Ernest Hemingway (18991961)