Design
The exact design of the Cherub with Chariot Egg is unsure. A single photograph of the egg exists, though it is hidden by another egg and can only be seen in a blurry reflection. There is a brief description from the imperial records in the Russian State Historical Archives in Moscow which describes the gift as "Angel pulling chariot with egg - 1500 roubles, angel with a clock in a gold egg 600 roubles." According to Marina Lopato in Fabergé: Imperial Jeweller (1993) this description means the clock is inside the gold egg, which is in the chariot being pulled by the angel. Fabergé's invoice carries a similar description, itemizing a cherub pulling a chariot with an egg and a cherub with clock in a gold egg. These two descriptions are backed up by the 1917 inventory of seized imperial treasure which reads "gold egg, decorated with brilliants (diamonds), a sapphire; with a silver, golded stand in the form of a two-wheeled wagon with a putto."
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“With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.”
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“For I choose that my remembrances of him should be pleasing, affecting, religious. I will love him as a glorified friend, after the free way of friendship, and not pay him a stiff sign of respect, as men do to those whom they fear. A passage read from his discourses, a moving provocation to works like his, any act or meeting which tends to awaken a pure thought, a flow of love, an original design of virtue, I call a worthy, a true commemoration.”
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