Chen Yifei - Complete List of Exhibitions

Complete List of Exhibitions

  • 2006 Summer Exhibition, Marlborough Fine Art Ltd., London, England
  • 2006 Fiction@Love, MOCA Shanghai, Shanghai, China
  • 2005 Chen Yifei (1946–2005), Marlborough Fine Art, Ltd, London, England (solo)
  • 2005 Chen Yifei (1946–2005), Marlborough Galerie AG, Zurich (solo)
  • 2003 Oeuvres Récentes, Marlborough Monte-Carlo, Monaco (solo)
  • 2001 Initial Image, Yibo Gallery, Shanghai, China
  • 1999 New Works, Marlborough Gallery, New York, NY (solo)
  • 1997 Paintings of Tibet, Pavilion of the People's Republic of China, XLVII Venice Biennale (solo)*1997 Chen Yifei, Première Exposition en France, Musée Granet, Aix-en-Provence, France (solo)
  • 1996-1997 First London Exhibition, Marlborough Fine Art, London, England (solo)
  • 1996-1997 The Homecoming of Chen Yifei, Shanghai Museum, Shanghai, China; The China National Museum of Fine Arts, Beijing, China (solo, retrospective)
  • 1990 Recent Paintings, Seibu Museum, Tokyo, Japan (solo)
  • 1990 Hammer Galleries, New York, NY (solo)
  • 1988 Hammer Galleries, New York, NY (solo)
  • 1986 Hammer Galleries, New York, NY (solo)
  • 1983 New England Center for Contemporary Art, USA (solo)
  • 1983 Hammer Galleries, New York, NY (solo)
  • 1982 New England Center for Contemporary Art, USA (solo)
  • 1981 New England Center for Contemporary Art, USA (solo)
  • 1980 New England Center for Contemporary Art, USA (solo)

Read more about this topic:  Chen Yifei

Famous quotes containing the words complete and/or list:

    “In the course of the actual attainment of selfish ends—an attainment conditioned in this way by universality—there is formed a system of complete interdependence, wherein the livelihood, happiness, and legal status of one man is interwoven with the livelihood, happiness, and rights of all. On this system, individual happiness, etc. depend, and only in this connected system are they actualized and secured.”
    —Georg Wilhelm Friedrich Hegel (1770–1831)

    “I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
    —Ernest Hemingway (1899–1961)