Design
At the suggestion of his friend A. H. Mackmurdo, Voysey began designing wallpapers in 1883 under contract for Jeffrey & Co while waiting for architectural commissions to come in. He joined the Art-Workers' Guild in 1884, and displayed both printed textiles and wallpapers at the inaugural Arts and Crafts Exhibition Society show at the New Gallery in 1888. In 1893 he began designing wallpapers for Essex & Co., for whom he executed several hundred patterns.
Distinct stages can be identified in Voysey's wallpaper and textile designs. His earliest works, through the late 1880s, have historically-influenced traditional repeats. By the mid-1890s, he was creating his most characteristic and original designs, flowing patterns in pastel colourways with flattened silhouettes of birds, florals, and hearts. Designs were used for both wallpaper and textiles, which were often executed as wool double cloths for furnishing. Typical patterns of this period include The Saladin wallpaper, 1897 (sample) and The Owl jacquard-woven woollen textile, 1898 (sample.) From 1910 onwards, his patterns became more narrative, with isolated motifs, and were often meant for the nursery. The Alice in Wonderland furnishing fabric, c.1920, is typical of this phase. His last recorded wallpaper commission was dated 1930.
In 1896, The Studio confirmed Voysey's place in the decorative arts, writing "Now a 'Voysey wall-paper' sounds almost as familiar as a 'Morris chintz' or a 'Liberty silk'." Voysey also designed for Donegal Carpets and many other firms over a fifty-year career in design.
Read more about this topic: Charles Voysey (architect)
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