Early Career
Returning to England from Prague in 1948, Mackerras rejoined Sadler's Wells and began his lifelong association with the Sadler's Wells Opera, now English National Opera, conducting, among others, Janáček, Handel, Gluck, Bach, and Donizetti. In the 1950s, well before the "authenticity" movement had come to general notice, Mackerras focused on the study and practical realization of period performance techniques, culminating in his landmark 1959 recording of Handel's Music for the Royal Fireworks using the original wind band instrumentation. In his 1965 performance of The Marriage of Figaro, he added the ornamentation in a historically informed style.
Mackerras also strongly championed the music of Janáček outside Czechoslovakia, where Mackerras himself judged his work with Janáček as his single most important legacy to music. In 1951, he conducted the British premiere of Káťa Kabanová. He was also a noted authority on Mozart's operas and those of Sir Arthur Sullivan. His Sullivan ballet arrangement Pineapple Poll (1951, just after the expiration of copyright on Sullivan's music), based on one of Gilbert's Bab Ballads, continues to be a popular light music favourite in English speaking countries. Mackerras also arranged music by Giuseppe Verdi for the ballet The Lady and the Fool. He also arranged a suite from John Ireland's score for the 1946 film The Overlanders, after Ireland's death in 1962.
He became principal conductor of the BBC Concert Orchestra from 1954 to 1956. In 1963, he made his debut at London's Covent Garden conducting Shostakovich's Katerina Izmailova. He directed the Hamburg State Opera from 1965 to 1969 and the English National Opera from 1970 to 1977. In 1972, he made his Metropolitan Opera debut in New York conducting Gluck's Orfeo ed Euridice. Mackerras worked closely with Benjamin Britten for a time until 1958, when, during rehearsals for Britten's opera Noye's Fludde, he made comments about Britten liking prepubescent boys' company and they subsequently severed their relationship. The events are described in John Bridcut's Britten's Children.
He conducted the Sydney Symphony Orchestra and Birgit Nilsson in the opening concert of the Concert Hall of the Sydney Opera House, in the presence of Queen Elizabeth II, in 1973.
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