Relationship Between Growers and Champagne Houses
In the Champagne region, the production of Champagne is largely in the hands of producers who purchase grapes from independent growers. While some growers today produce wines under their own labels (known collectively as "grower Champagne"), in the early 20th century the immense amount of capital needed to produce Champagne was beyond the reach of most growers. Champagne houses were able to bear the large risk of losing a considerable amount of product from exploding bottles as well as the cost of maintaining storage facilities for the long, labor intensive process of making Champagne. This dynamic created a system that favored the Champagne houses as the only source of revenue for the vineyard owners. If the Champagne houses did not buy their grapes, a grower had little recourse or opportunity for another stream of income.
Read more about this topic: Champagne Riots
Famous quotes containing the words relationship between, relationship, champagne and/or houses:
“Living in cities is an art, and we need the vocabulary of art, of style, to describe the peculiar relationship between man and material that exists in the continual creative play of urban living. The city as we imagine it, then, soft city of illusion, myth, aspiration, and nightmare, is as real, maybe more real, than the hard city one can locate on maps in statistics, in monographs on urban sociology and demography and architecture.”
—Jonathan Raban (b. 1942)
“Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
—Rebecca West (1892–1983)
“When her guests were awash with champagne and with gin,
She was recklessly sober, as sharp as a pin.
An abstemious man would reel at her look,
As she rolled a bright eye and praised his last book.”
—William Plomer (1903–1973)
“And the Harvard students in the brick
hallowed houses studied Sappho in cement rooms.
And this Sappho danced on the grass
and danced and danced and danced.
It was a death dance.”
—Anne Sexton (1928–1974)