Published Sheet Music
Pugni's music began being published as early as 1822 with his Sinfonia in D minor. Many of Pugni's symphonies and concert pieces were published by the Milan based publisher F. Lucca, often for full orchestra. Likely due to the sheer tunefulness of his music, Pugni's early ballet scores were almost all published in piano reduction by both F. Lucca and Gio Ricordi, another music publisher based in Milan.
Many ballets and incidental numbers Pugni wrote for Her Majesty's Theatre in London was published in Piano reduction by the London based music publishers Ch. Ollivier, Chappell & Co., and particularly T. Boosey and Jullien. As Pugni's ballets were staged by various companies throughout Europe—in such cities as Milan, Berlin, and Vienna for example—many other music publishers began distributing his scores, often with supplemental numbers by other composers.
As the copyright of Pugni's music expired, the music publisher Jullien & Co. began publishing a number of his dances from various ballets without giving the composer credit. Often the music would credit the composer as "Composed by Jullien" or as "traditional", typically under such titles as The original mazurka or The Original Galop, for example. Several waltzes, polkas, and various national dances from Pugni's ballets were often published with detailed instructions on how to perform the said dances, and occasionally lithographs from whichever ballet the number was extracted was included as artwork for the frontispiece. As time went on many of these pieces were sold to music publishers all over Europe and the United States.
As Pugni's career took him to Russia, his ballets continued being published in piano reduction. Many St. Petersburg based publishers such as Basil Denotkine, Ch. Stellowsky and Bessell brought out not only Pugni's original full-length ballets but his additional dances for various works and his adaptations of the scores of other composers.
Read more about this topic: Cesare Pugni
Famous quotes containing the words published, sheet and/or music:
“For with this desire of physical beauty mingled itself early the fear of deaththe fear of death intensified by the desire of beauty.”
—Walter Pater 18391894, British writer, educator. originally published in Macmillans Magazine (Aug. 1878)
“There is a continual exchange of ideas between all minds of a generation. Journalists, popular novelists, illustrators, and cartoonists adapt the truths discovered by the powerful intellects for the multitude. It is like a spiritual flood, like a gush that pours into multiple cascades until it forms the great moving sheet of water that stands for the mentality of a period.”
—Auguste Rodin (18491917)
“In benevolent natures the impulse to pity is so sudden, that like instruments of music which obey the touch ... you would think the will was scarce concerned, and that the mind was altogether passive in the sympathy which her own goodness has excited. The truth is,the soul is [so] ... wholly engrossed by the object of pity, that she does not ... take leisure to examine the principles upon which she acts.”
—Laurence Sterne (17131768)