History
It was built by The City of Calgary in 1916 for $375,000. It replaced the MacArthur Bridge, a steel truss bridge built by a land developer called the Centre Street Bridge Company Limited The MacArthur Bridge was destroyed by a flood in 1915. Centre Street Bridge was designed by John F. Green, featured an upper and lower deck, and large cast concrete lions on four massive plinths, two at each end of the bridge. The lions were cast by Scottish mason James L. Thompson, and were modelled after the brass lions at the base of Nelson's Column in Trafalgar Square, London. The upper deck, a reinforced concrete arch structure, spans 178 meters (584 ft) and is 15 meters (49 ft) wide. The lower deck, an "I" girders structure, runs for 150 meters (490 ft) and is 5.5 meters (18 ft) wide.
Centre Street Bridge is the central point of the quadrant system of the city.
The bridge went through extensive restoration in 2001, when it was closed for one year. The lower deck is configured with reversible lanes. The original lions were replaced with replicas after considerable debate. Local legends of adjacent Chinatown hold that the lions would come alive after dark and roam the city streets. One of the original lions is now located at City Hall, another is in long term storage.
The opening scene of the 2001 Steven Seagal movie Exit Wounds was filmed on the bridge.
Read more about this topic: Centre Street Bridge (Calgary)
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“The history is always the same the product is always different and the history interests more than the product. More, that is, more. Yes. But if the product was not different the history which is the same would not be more interesting.”
—Gertrude Stein (18741946)
“There has never been in history another such culture as the Western civilization M a culture which has practiced the belief that the physical and social environment of man is subject to rational manipulation and that history is subject to the will and action of man; whereas central to the traditional cultures of the rivals of Western civilization, those of Africa and Asia, is a belief that it is environment that dominates man.”
—Ishmael Reed (b. 1938)
“All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!”
—Camille Paglia (b. 1947)