History
It was built by The City of Calgary in 1916 for $375,000. It replaced the MacArthur Bridge, a steel truss bridge built by a land developer called the Centre Street Bridge Company Limited The MacArthur Bridge was destroyed by a flood in 1915. Centre Street Bridge was designed by John F. Green, featured an upper and lower deck, and large cast concrete lions on four massive plinths, two at each end of the bridge. The lions were cast by Scottish mason James L. Thompson, and were modelled after the brass lions at the base of Nelson's Column in Trafalgar Square, London. The upper deck, a reinforced concrete arch structure, spans 178 meters (584 ft) and is 15 meters (49 ft) wide. The lower deck, an "I" girders structure, runs for 150 meters (490 ft) and is 5.5 meters (18 ft) wide.
Centre Street Bridge is the central point of the quadrant system of the city.
The bridge went through extensive restoration in 2001, when it was closed for one year. The lower deck is configured with reversible lanes. The original lions were replaced with replicas after considerable debate. Local legends of adjacent Chinatown hold that the lions would come alive after dark and roam the city streets. One of the original lions is now located at City Hall, another is in long term storage.
The opening scene of the 2001 Steven Seagal movie Exit Wounds was filmed on the bridge.
Read more about this topic: Centre Street Bridge (Calgary)
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“We aspire to be something more than stupid and timid chattels, pretending to read history and our Bibles, but desecrating every house and every day we breathe in.”
—Henry David Thoreau (1817–1862)
“So in accepting the leading of the sentiments, it is not what we believe concerning the immortality of the soul, or the like, but the universal impulse to believe, that is the material circumstance, and is the principal fact in this history of the globe.”
—Ralph Waldo Emerson (1803–1882)
“History, as an entirety, could only exist in the eyes of an observer outside it and outside the world. History only exists, in the final analysis, for God.”
—Albert Camus (1913–1960)