Social and Literary Context
The poem raises questions about the proper relation of the poet, or his life, to the work. Catullus addresses the poem to two men, Furius and Aurelius. Furius refers to Marcus Furius Bibaculus, a first century poet who had an affair with Juventius, Catullus' lover. Aurelius refers to Marcus Aurelius Cotta Maximus Messalinus, a first century consul, or senator, during the Julio-Claudian dynasty.
Those two men either together or singly also appear in so called Catullus' Furius and Aurelius "cycle", in poems 11, 15, 21, 23, 24 and 26. The cycle considers sexual themes and with the exception of Catullus 11 uses an abusive language toward the two. The two are described elsewhere as fellow members of Catullus' cohort of friends: comites Catulli. According to Catullus 16, Furius and Aurelius find Catullus's verses to be molliculi ("tender" or "delicate"), implicating that the author is an effeminate poet. According to T. P. Wiseman, Catullus speaks about himself in feminine terms even in his love poetry. Catullus's gentle attitude left him vulnerable in the cynical and cruel environment of Roman high society. The criticism of Furius and Aurelius was directed at Catullus 5, apparently from "many thousands of kisses" at line 12. Kenneth Quinn observes:
16.12 comes closest to the words of Poem 5, especially at 5.10. Comparing these two lines makes it extremely tempting to ascribe the reference to Poem 5 and to Poem 5 alone, especially since this assumption explains neatly the accusation, defense, and counter-accusation of Poem 16.
Catullus maligns the two and threatens them with rape. According to T. P. Wiseman, Catullus used the obscenity to get his message that "soft" poetry could be more arousing than explicit description to "sensibilities so much cruder than his own". According to Thomas Nelson Winter, Catullus could still claim that he has a pure life (79.16), despite the self evidence of pederasty (poems 14, 109) with and his love of a married woman (poem 83 mentions Lesbia’s husband).
Apparently Catullus and his contemporaries believed a man could do almost anything sexually and remain respectable, so long as he stayed within the masculine role. Thus Catullus’ insistence on his own propriety and on his potent manhood is all one. Catullus is a proper man.
Craig Arthur Williams says Catullus 16 demonstrates that in Roman ideology of masculine vir, a man is not compromised by his penetration of other males, in fact his manhood status is bolstered. Mary Beard finds the poem's message to be ironic:
You can't tell a man from his verses. And 'pedicabo ego vos et irrumabo' for saying you can. But the joke is (or rather one of the jokes in this complicated little poem) -- if you cant infer from his kiss-y verses that is effeminate, then neither can you infer from his poetic threats of violent penetration that he is capable of that either.
Read more about this topic: Catullus 16
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