Career
In 1968, the Collins brothers, along with Kash Waddy and Philippe Wynne, formed a group called The Pacemakers. Later the Pacemakers were hired by James Brown to accompany his vocals, at this they became known as The J.B.'s. Some of Brown's previous band members had walked out because of money disputes. During their tenure in the J.B.'s, they recorded such classics as "Super Bad", "Get Up (I Feel Like Being A) Sex Machine", "Soul Power", and "Give It Up or Turnit a Loose". By 1971, Collins and the rest of the J.B.'s had quit James Brown. The Collins brothers and Kash Waddy formed House Guests and shortly after joined Funkadelic and contributed to the Funkadelic album America Eats Its Young. Some of his most famous playing can be heard on the Parliament hit single "Flash Light". Four years later, Collins joined Bootsy's Rubber Band, which included Waddy, Joel "Razor Sharp" Johnson (keyboards), Gary "Muddbone" Cooper (vocals), and Robert "P-Nut" Johnson (vocals), along with The Horny Horns. Collins also played on albums by Freekbass and H-Bomb.
In 1990, he performed on Deee-Lite's "Groove Is in the Heart".
In 2007, he contributed guitar work to the Superbad movie soundtrack.
On his early work with James Brown and Funkadelic, Catfish played a Vox Ultrasonic guitar with built-in effects.
Read more about this topic: Catfish Collins
Famous quotes containing the word career:
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.”
—Oscar Wilde (1854–1900)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)