Canvas As A Compound Agent
From the 13th century onward, canvas was used as a covering layer on Pavise shields. The canvas was applied to the wooden surface of the Pavise, covered with multiple layers of gesso and often richly painted in tempera technique. Finally, the surface was sealed with a transparent varnish. While the gessoed canvas was a perfect painting surface, the primary purpose of the canvas application may have been the strengthening of the wooden shield corpus in a manner not unlike to modern glass-reinforced plastic.
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Famous quotes containing the words canvas, compound and/or agent:
“If the man who paints only the tree, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this: in portrait painting to put on canvas something more than the face the model wears for that one day; to paint the man, in short, as well as his features.”
—James Mcneill Whistler (1834–1903)
“Work is a responsibility most adults assume, a burden at times, a complication, but also a challenge that, like children, requires enormous energy and that holds the potential for qualitative, as well as quantitative, rewards. Isn’t this the only constructive perspective for women who have no choice but to work? And isn’t it a more healthy attitude for women writhing with guilt because they choose to compound the challenges of motherhood with work they enjoy?”
—Melinda M. Marshall (20th century)
“The average American is a good sport, plays by the rules. But this war is no game. And no secret agent is a hero or a good sport—that is, no living agent.”
—John Monks, Jr., U.S. screenwriter, Sy Bartlett, and Henry Hathaway. Robert Sharkey (James Cagney)