Verbal and Musical Symbols
Music and song are utilised in various ways as reminders and identifiers of the sovereign or viceroys. The tune "God Save the King" (or "God Save the Queen" in the reign of a female monarch) was heard in the Canadian colonies since the late 18th century and became a national anthem after Confederation in 1867. In 1980, "O Canada" was adopted as the national anthem and "God Save the Queen" became, by convention, the Royal Anthem, for use as a musical salute to the sovereign in person or as a display of loyalty in any circumstance. It was also incorporated into the Canadian Royal Salute, which is used upon the arrival of the governor general or a lieutenant governor and consists of the first six bars of the Royal Anthem followed by the first and last four bars of "O Canada".
At official functions, regardless of whether or not the monarch is personally present, the Loyal Toast may be recited; it consists of a toast to the health of the sovereign and is generally led by the host of or guest of honour at a ceremony, aside from the monarch him or herself. In English, the toast is: "Ladies and Gentlemen, the Queen of Canada," and in French: "Mesdames et Messieurs, à la Reine du Canada." In the mess of regiments in which the monarch holds an honorary appointment, the toast is modified slightly to be read as: "Ladies and Gentlemen, the Queen of Canada, our Colonel-in-Chief," and in French: "Mesdames et Messieurs, à la Reine du Canada, notre colonel en chef." Where a band is present, the Royal Anthem is played following the recital of the Loyal Toast.
The monarch also acts as the locus of fealty in the Oath of Allegiance, which also forms a part of the Oath of Citizenship. This giving of allegiance to the sovereign has been described as the expression of "a solemn intention to adhere to the symbolic keystone of the Canadian Constitution as it has been and is, thus pledging an acceptance of the whole of our constitution and national life."
The word royal itself is frequently used as a prefix to the name of an organization that has gained the monarch's favour or patronage. The granting of this distinction falls within the Royal Prerogative and thus is conferred by the monarch through the office of her viceroy, with input from the Ceremonial and Canadian Symbols Promotion Programme within the Department of Canadian Heritage on whether or not the institution meets the designated criteria: The organization must have been in existence for at least 25 years, be financially secure, and be non-profit, amongst others. Any organization that has been so honoured may receive appropriate royal insignia when petitioning the Canadian Heraldic Authority for a grant of armorial bearings or other emblem. The term crown corporation is also applied to conglomerations in which the sovereign, either in right of Canada or any of the provinces, is the sole shareholder.
Read more about this topic: Canadian Royal Symbols
Famous quotes containing the words verbal, musical and/or symbols:
“A verbal art like poetry is reflective; it stops to think. Music is immediate, it goes on to become.”
—W.H. (Wystan Hugh)
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)