Distinguishing Between Kitsch and Camp
The words "camp" and "kitsch" are often used interchangeably; both may relate to art, literature, music, or any object that carries an aesthetic value. However, "kitsch" refers specifically to the work itself, whereas "camp" is a mode of performance. Thus, a person may consume kitsch intentionally or unintentionally. Camp, as Susan Sontag observed, is always a way of consuming or performing culture "in quotation marks."
However, Sontag also distinguishes the difference between "naive" and "deliberate" camp. Kitsch, as a form or style, certainly falls under the category "naive camp" as it is unaware that it is tasteless; "deliberate camp," on the other hand, can be seen as a subversive form of kitsch which deliberately exploits the whole notions of what it is to be kitsch. (Sontag, 1964)
Read more about this topic: Camp (style)
Famous quotes containing the words kitsch and/or camp:
“Kitsch ... is one of the major categories of the modern object. Knick-knacks, rustic odds-and-ends, souvenirs, lampshades, and African masks: the kitsch-object is collectively this whole plethora of “trashy,” sham or faked objects, this whole museum of junk which proliferates everywhere.... Kitsch is the equivalent to the “cliché” in discourse.”
—Jean Baudrillard (b. 1929)
“Among the interesting thing in camp are the boys. You recollect the boy in Captain McIlrath’s company; we have another like unto him in Captain Woodward’s. He ran away from Norwalk to Camp Dennison; went into the Fifth, then into the Guthries, and as we passed their camp, he was pleased with us, and now is “a boy of the Twenty-third.” He drills, plays officer, soldier, or errand boy, and is a curiosity in camp.”
—Rutherford Birchard Hayes (1822–1893)