Camp (style)
Camp is an aesthetic sensibility that regards something as appealing or humorous because of its ridiculousness to the viewer. The concept is related to kitsch, and things with camp appeal may also be described as being "cheesy". When the usage appeared, in 1909, it denoted: ostentatious, exaggerated, affected, theatrical, and effeminate behaviour, and, by the middle of the 1970s, the definition comprised: banality, artifice, mediocrity, and ostentation so extreme as to have perversely sophisticated appeal. American writer Susan Sontag's essay Notes on "Camp" (1964) emphasised its key elements as: artifice, frivolity, naïve middle-class pretentiousness, and ‘shocking’ excess. Camp as an aesthetic has been popular from the 1960s to the present.
Camp aesthetics were popularised by filmmakers George and Mike Kuchar, Andy Warhol, and John Waters, including the latter's Pink Flamingos, Hairspray and Polyester. Celebrities that are associated with camp personas include drag queens and performers such as Dame Edna Everage, Divine, RuPaul, and Liberace. Camp was a part of the anti-academic defense of popular culture in the 1960s and gained popularity in the 1980s with the widespread adoption of postmodern views on art and culture.
Read more about Camp (style): Origins and Development, Distinguishing Between Kitsch and Camp, International Aspects, Literature, Analysis, Further Reading
Famous quotes containing the word camp:
“Rosalynn said, “Jimmy, if we could only get Prime Minister Begin and President Sadat up here on this mountain for a few days, I believe they might consider how they could prevent another war between their countries.” That gave me the idea, and a few weeks later, I invited both men to join me for a series of private talks. In September 1978, they both came to Camp David.”
—Jimmy Carter (James Earl Carter, Jr.)