Camille Paglia
Camille Anna Paglia (/ˈpɑːliə/; born April 2, 1947) is an American author, teacher, and social critic. Paglia, a self-described dissident feminist, has been a professor at The University of the Arts in Philadelphia, Pennsylvania since 1984. She wrote Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), a best-selling work of literary criticism, among other books and essays. She also wrote an analysis of Alfred Hitchcock's The Birds, and Break, Blow, Burn on poetry. She writes articles on art, popular culture, feminism, and politics. Paglia has celebrated Madonna and taken radical libertarian positions on controversial social issues such as abortion, homosexuality and drug use. She is known as a critic of American feminism, and is also strongly critical of the influence of French writers such as Jacques Lacan, Jacques Derrida, and Michel Foucault.
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Famous quotes by camille paglia:
“Whiffle [whine and wheeze and snuff and sniffle]: The annoying scratchy sound made by weepy feminists as they lament the sufferings of women and, houndlike, sniff out evidence of male oppression.”
—Camille Paglia (b. 1947)
“The greatest honor that can be paid to the work of art, on its pedestal of ritual display, is to describe it with sensory completeness. We need a science of description.... Criticism is ceremonial revivification.”
—Camille Paglia (b. 1947)
“I have a dream: in my dream ... Aretha Franklin, in her fabulous black-lipstick ‘Jumpin’ Jack Flash’ outfit, leaps from her seat at Maxim’s and, shouting ‘Think!,’ blasts Lacan, Derrida and Foucault like dishrags against the wall, then leads thousands of freed academic white slaves in a victory parade down the Champs-Elysées.”
—Camille Paglia (b. 1947)
“Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straightshooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.”
—Camille Paglia (b. 1947)
“Despite crime’s omnipresence, things work in society, because biology compels it. Order eventually restores itself, by psychic equilibrium.”
—Camille Paglia (b. 1947)