Criticism
- According to the Orthodox Study Bible:
- Regarding questions about the scientific accuracy of the Genesis account of creation, and about various viewpoints concerning evolution, the Orthodox Church has not dogmatized any particular view. What is dogmatically proclaimed is that the One Triune God created everything that exists, and that man was created in a unique way and is alone made in the image and likeness of God (Gn 1:26,27).
- The opening words of the Nicene Creed, the central doctrinal statement of Christianity, affirms that the One True God is the source of everything that exists, both physical and spiritual, both animate and inanimate: "We believe in one God, the Father Almighty, Maker of Heaven and Earth, and of all things visible and invisible." In addition, our regeneration in Christ and the resurrection of the dead are both often called the "New Creation" (2 Cor 5:17; Rev 21:1).
- According to Fr. Stanley Harakas, the Bible's description of creation is not a "scientific account". It is not read for scientific knowledge but for spiritual truth and divine revelation. The physical-scientific side of the origins of mankind, though important, is really quite secondary in significance to the Church's message. The central image of Adam as God's image and likeness, who also represents fallen and sinful humanity, and the new Adam, Jesus Christ, who is the "beginning", the first-born of the dead (Colossians 1:18) and the "first-fruits" of those who were dead, and are now alive (1 Corinthians 15:20–23), is what is really important.
- Professor Fr. Arsenius John Baptist Vuibert (S.S.), a 19th century historian, observed that Biblical Chronologies are uncertain due to discrepancies in the figures in Genesis and other methodological factors, accounting for hundreds of different chronologies being assigned by historians. In the case of the Fathers of the Sixth Ecumenical Council, who assigned 5509 BC. as the date of the creation of man, he writes that it was in response to the emperor's wishes to fix an era or convenient starting point for historical computation. Therefore it was a decision of mere historical convenience, not respecting either faith or morals, which are what is truly of intrinsic value in the Scriptures. Having made this disclaimer, he settles on the Benedictine Chronology of 4963 BC for the purposes of his history.
- According to the ninth edition of the Encyclopædia Britannica, regarding the so-called Era of the Creation of the World, Alphonse Des Vignoles asserted in the preface to his Chronologie de l’Histoire Sainte (Chronology of Sacred History, Berlin 1738), that he collected upwards of two-hundred different calculations, the shortest of which reckons only 3483 years between the creation of the world and the commencement of the vulgar era and the longest 6984. The so-called era of the creation of the world is therefore a purely conventional and arbitrary epoch, for which the very nature of the case discussion is hopeless labour.
- It may also be noted historically that while Byzantine officials and chroniclers were disconcerted by the ambiguities among the different dating and recording systems in the earlier centuries, these mattered little to most people who marked time by the orderly progression of agricultual seasons and church festivals, and by the regularity of holidays, weather cycles, and years that revealed the Divine order (Taxis) underlying the world.
Read more about this topic: Byzantine Calendar
Famous quotes containing the word criticism:
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
—Ernest Hemingway (18991961)
“The aim of all commentary on art now should be to make works of artand, by analogy, our own experiencemore, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
—Susan Sontag (b. 1933)
“The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.”
—Walter Benjamin (18921940)