Recording and Title
After finishing out his contract with Decca Records and the mid-1966 break up of his band Them, Van Morrison returned to Belfast seeking a new recording company. When he received a phone call from Bert Berns, owner of Bang Records, who had produced a number of recordings with Them, he flew to New York City and hastily signed a contract (that biographer Clinton Heylin says probably still gives him sleepless nights.) During a two day recording session starting 28 March 1967, he recorded eight songs intended to be used as four singles. The recording session took place at A & R Studios and "Brown Eyed Girl" was captured on the 22nd take on the first day. Of the musicians Berns had assembled there were three guitarists, including Eric Gale, Hugh McCracken, and Al Giorgioni, bassist Russ Savakus, pianist Paul Griffin and drummer Gary Chester. It was released as a single in mid-June 1967. Originally titled "Brown-Skinned Girl", Morrison changed it to "Brown Eyed Girl" when he recorded it. Morrison remarked on the original title: "That was just a mistake. It was a kind of Jamaican song. Calypso. It just slipped my mind. I changed the title." "After we'd recorded it, I looked at the tape box and didn't even notice that I'd changed the title. I looked at the box where I'd lain it down with my guitar and it said 'Brown Eyed Girl' on the tape box. It's just one of those things that happen."
Read more about this topic: Brown Eyed Girl
Famous quotes containing the words recording and/or title:
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“Et in Arcadia ego.
[I too am in Arcadia.]”
—Anonymous, Anonymous.
Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)