British Museum Tube Station - The Station in Popular Culture

The Station in Popular Culture

  • In the Neil Gaiman novel Neverwhere the main character, Richard Mayhew, a Londoner, protests that there is no British Museum Station - only to be proved wrong when the train he is on stops there.
  • The station was mentioned in the 1972 horror film Death Line, but contrary to popular belief, it is not the station portrayed in the film as being the home of a community of cannibals descended from Victorian railway workers. The cannibals venture out at night to snatch travellers from the platforms of operating stations and take them back to their gruesome 'pantry' at an incomplete station. Donald Pleasence stars as the investigating police inspector, and when finally cornered, one of the cannibals screams a corrupted form of "Mind the doors!", obviously having picked it up parrot-fashion from the guards on the Underground trains. The station in question is named simply 'Museum' and is clearly stated as being 'between' Holborn and British Museum stations in a conversation between Pleasance's character and a colleague. It is supposedly part of a completely separate line that was not completed owing to the construction company going bankrupt. Signs in the abandoned station also only state 'Museum' as the name.
  • The station did feature in the Bulldog Drummond spin-off film Bulldog Jack (not a Sherlock Holmes film, as some sources claim), as the location reached by a secret tunnel leading from the inside of a sarcophagus in the British Museum. The villain (Ralph Richardson) was finally cornered and forced into a sword duel on the disused platforms, which were a studio set. The station was renamed 'Bloomsbury' in the film.
  • The station briefly featured in the computer game Broken Sword: The Smoking Mirror, in which Nico Collard escapes from the British Museum and finds the station. She then manages to stop the passing trains. The station in the game, however, is depicted as having its exit actually inside the British Museum itself. A station named 'Museum' also features in the earlier game Beneath a Steel Sky, by the same company, but the apparent Australian setting for the latter game, as well as its proximity to a station named 'St James' suggests this is actually Museum railway station, Sydney.
  • The station is mentioned in the novel Tunnel Vision by Keith Lowe. It mentions that a restaurant is on the site of the old station, of which there is nothing left.
  • The station appears in 'Pornography' by Simon Stephens. A brother takes his sister there saying, 'It's for the British Museum. It's not been used for sixty years. They closed it because there was no need of it any more. With Holborn and Tottenham Court Road.' The sister says, 'You can imagine the people... Standing there.'
  • The station is reputed to be haunted by the ghost of the daughter of an Egyptian Pharaoh called Amen-Ra which would appear and scream so loudly that the noise would carry down the tunnels to adjourning stations.

Read more about this topic:  British Museum Tube Station

Famous quotes containing the words popular culture, station, popular and/or culture:

    Popular culture is seductive; high culture is imperious.
    Mason Cooley (b. 1927)

    When, in the course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume the powers of the earth, the separate and equal station to which the laws of nature and of nature’s God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.
    Thomas Jefferson (1743–1826)

    I do not see why, since America and her autumn woods have been discovered, our leaves should not compete with the precious stones in giving names to colors; and, indeed, I believe that in course of time the names of some of our trees and shrubs, as well as flowers, will get into our popular chromatic nomenclature.
    Henry David Thoreau (1817–1862)

    The anorexic prefigures this culture in rather a poetic fashion by trying to keep it at bay. He refuses lack. He says: I lack nothing, therefore I shall not eat. With the overweight person, it is the opposite: he refuses fullness, repletion. He says, I lack everything, so I will eat anything at all. The anorexic staves off lack by emptiness, the overweight person staves off fullness by excess. Both are homeopathic final solutions, solutions by extermination.
    Jean Baudrillard (b. 1929)