Bristol Old Vic Theatre School
The Bristol Old Vic Theatre School, opened by Laurence Olivier in 1946, is an affiliate of the Conservatoire for Dance and Drama, an organisation securing the highest standards of training in the performing arts, and is an associate school of the University of the West of England. The School began life in October 1946, only eight months after the founding of its parent Bristol Old Vic Theatre Company, in a room above a fruit merchant's warehouse in the Rackhay near the stage door of the Theatre Royal. (The yard of the derelict St Nicholas School adjacent to the warehouse was still used by the Company for rehearsals of crowd scenes and stage fights as late as the early 1960s, notably for John Hale's productions of Romeo and Juliet starring the Canadian actor Paul Massie and Annette Crosbie, a former student of the School, and Rostand's Cyrano de Bergerac with Peter Wyngarde. Students from the Theatre School frequently played in these crowd scenes and fights.)
The School continued in these premises until 1954 when royalties from the musical, Salad Days by Julian Slade and Dorothy Reynolds were given to the School towards the purchase and conversion of two large adjoining Victorian villas in Clifton, which remain their base today.
In 1995, that donation was formally recognised when a new custom-built dance and movement studio in the School's back garden was named the Slade/Reynolds Studio. The School provides comprehensive training courses for theatre, radio, film, and television professionals and its graduates are to be found in key positions as actors, directors, set designers, costumer designers, lighting designers and stage and company managers throughout the world.
Among the most notable of the many distinguished actors on the School's list of alumni are the Academy Award winners Daniel Day-Lewis and Jeremy Irons.
See Alumni of Bristol Old Vic Theatre School.
Read more about this topic: Bristol Old Vic
Famous quotes containing the words bristol, theatre and/or school:
“Its of a rich squire in Bristol doth dwell,
There are ladies of honour that love him well,
But all was in vain, in vain was said,
For he was in love with a charming milkmaid.”
—Unknown. Squire and Milkmaid; or, Blackberry Fold (l. 14)
“Mankinds common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, lifes supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a mans frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.”
—William James (18421910)
“The future is built on brains, not prom court, as most people can tell you after attending their high school reunion. But youd never know it by talking to kids or listening to the messages they get from the culture and even from their schools.”
—Anna Quindlen (b. 1953)