Work
Schmidt was a Postdoctoral Fellow at the Harvard-Smithsonian Center for Astrophysics (1993–1994) before moving on to Mount Stromlo Observatory in 1995.
In 1994, Schmidt and Nicholas B. Suntzeff formed the High-Z Supernova Search Team to measure the expected deceleration of the Universe and the deceleration parameter q0 using distances to Type Ia supernovae. In 1995, the HZT at a meeting at the Harvard-Smithsonian Center for Astrophysics elected Schmidt as the overall leader of the HZT. Schmidt led the team from Australia and in 1998 in the HZT paper with first author Adam Riess the first evidence was presented that the Universe's expansion rate is accelerating. The team's observations were contrary to the current theory that the expansion of the Universe should be slowing down; on the contrary, by monitoring the brightness and measuring the redshift of the supernovae, they discovered that these billion-year old exploding stars and their galaxies were accelerating away from our reference frame. This result was also found nearly simultaneously by the Supernova Cosmology Project, led by Saul Perlmutter. The corroborating evidence between the two competing studies led to the acceptance of the accelerating universe theory and initiated new research to understand the nature of the universe, such as the existence of dark energy. The discovery of the accelerating universe was named 'Breakthrough of the Year' by Science Magazine in 1998, and Schmidt was jointly awarded the 2011 Nobel Prize in Physics along with Reiss and Perlmutter for their groundbreaking work.
Schmidt is currently leading the SkyMapper telescope Project and the associated Southern Sky Survey.
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Famous quotes containing the word work:
“There exist few things more tedious than a discussion of general ideas inflicted by author or reader upon a work of fiction.”
—Vladimir Nabokov (1899–1977)
“There is only one art, whose sole criterion is the power, the authenticity, the revelatory insight, the courage and suggestiveness with which it seeks its truth.... Thus, from the standpoint of the work and its worth it is irrelevant to which political ideas the artist as a citizen claims allegiance, which ideas he would like to serve with his work or whether he holds any such ideas at all.”
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“In not having an appointment at Harvard, I’m in the company of a great many people whose work I admire tremendously, in particular women of color.”
—Catharine MacKinnon (b. 1946)