Non-pornographic Acting Career
Corrigan has appeared in several nonpornographic films. He had a small role as "Skippy" in the short film Tell Me, a co-starring role (as Sean Lockhart) in the rock musical short Didn't This Used to Be Fun? and a starring role as "Press" in a short film directed by Jody Wheeler entitled In the Closet. In 2009, the film appeared on a gay short film compilation Boys on Film 3: American Boy released by Peccadillo Pictures, the company that also made it possible for Corrigan to record an album with songs by the Swedish songwriter and accordionist Roland Cedermark.
He played "Stan the Merman" in the 2008 feature Another Gay Sequel: Gays Gone Wild, and as one of the people on the telephone tree in Gus Van Sant's Milk, based on Harvey Milk. He had a guest appearance in Casper Andreas' film The Big Gay Musical as "Hustler", and he played "Chad" in the 2011 feature Sister Mary. He also starred as "Chris Wachowsky" in the gay coming-of-age fantasy Judas Kiss. Starred as "Ricky" in Chillerama (segment "I Was A Teenage Werebear") a musical, about a "closeted kid who meets these other closeted kids, who when aroused turn into leather daddy werebears". It was directed by Tim Sullivan and released in November 2011. Also in 2011, he played the role of Chad in the musical comedy film Sister Mary directed and written by Scott Grenke.
At the 2009 GayVN Awards in San Francisco, pornographic director Michael Lucas protested Corrigan's participation in the event. Later, he accused Corrigan's boyfriend of threats and filed a police report, but no charges were ever brought.
Working under the name Sean Paul Lockhart, he appeared as an underwear model in a number of Andrew Christian promotional videos.
Read more about this topic: Brent Corrigan
Famous quotes containing the words acting and/or career:
“Blessed be the inventor of photography! I set him above even the inventor of chloroform! It has given more positive pleasure to poor suffering humanity than anything else that has “cast up” in my time or is like to—this art by which even the “poor” can possess themselves of tolerable likenesses of their absent dear ones. And mustn’t it be acting favourably on the morality of the country?”
—Jane Welsh Carlyle (1801–1866)
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)