Composition
"Break the Ice" is an electro-R&B song with influences of rave and crunk. It is performed in a moderate pop groove. The song is composed in the key of F minor and is set in time signature of common time with a tempo of 120 beats per minute. According to Leah Greenblatt of Entertainment Weekly, "Break the Ice" sounds similar to Nelly Furtado's "Say It Right" (2006). It opens with Spears singing the lines "It's been a while / I know I shouldn't keep you waiting / But I'm here now", which serve as an apology for being gone so long from the music industry as well as away from her love interest in the song. After the first line, Spears sings over a choir. According to Chuck Arnold of People, Spears delivers her "trademark breathy vocals". In the first verse, synthesizers kick in and run until the end of the second chorus. After it, Spears stops the song and sings "I like this part / It feels kind of good", mimicking Janet Jackson in "Nasty" (1986). The music changes, as described by Tom Ewing of Pitchfork Media, to " sounds like spacehoppers bouncing in slow motion round a padded cell". The song is constructed in the common verse-chorus form. Lyrically, the song is about two people, in which one of them asks the other to get to know each other and break the ice.
Read more about this topic: Break The Ice (Britney Spears Song)
Famous quotes containing the word composition:
“Those Dutchmen had hardly any imagination or fantasy, but their good taste and their scientific knowledge of composition were enormous.”
—Vincent Van Gogh (1853–1890)
“Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.”
—Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)