Influence
The genre maintains widespread popularity in New Orleans, LA and the southern United States and has a more limited following outside of the Deep South. Throughout this decade, the Take Fo' record label has dominated the genre with artists such as DJ Jubilee, Choppa, Baby Boy, Lady Unique, Da' Sha Ra' and Willie Puckett. Overtly queer "sissy bounce" or "sissy rap" performers such as Katey Red, Big Freedia and Sissy Nobby have also made significant contributions.
Like crunk, Miami bass, Baltimore club and Juke music, bounce is a highly regional form of urban dance music. Nevertheless, bounce has influenced a variety of other rap subgenres and even emerged in the mainstream. Atlanta's crunk artists, such as Lil' Jon and the Ying Yang Twins, frequently incorporate bounce chants into their music (such as "shake that thing like a salt shaker") and slang (such as "twerk"). Mississippi native David Banner's hit "Like A Pimp" is constructed around a screwed up sample of the "Triggerman" beat. The mixtapes of Three 6 Mafia's DJ Paul also prominently feature traditional bounce sampling. DJ Paul, a native of Memphis, TN, has, in fact, been one of the most prominent purveyors of bounce outside of Louisiana, having incorporated its features into tracks produced for La Chat, Gangsta Boo and his own group, Three 6 Mafia. Another significant mainstream record influenced by bounce music was Beyoncé's 2007 release "Get Me Bodied".
Perhaps the most well known majordomo of bounce music has been Cash Money Records and their former in-house producer Mannie Fresh. Mannie Fresh began producing for MC Gregory D in the late 1980s, but in the early 1990s was signed to Cash Money and produced all of their albums. After Cash Money signed a national distribution deal with Universal Records in 1998, the label's music began to reach much wider audiences. The label's Hot Boys (Juvenile, B.G., Lil Wayne, and Turk) and Big Tymers (Mannie Fresh and Baby) released platinum albums and had several nationally charting hits using the bounce style. This was the genre's first major mainstream exposure.
In 2010, the Ogden Museum of Southern Art in New Orleans featured an exhibition entitled "Where They At: New Orleans Hip-Hop and Bounce in Words and Pictures", examining bounce's origins, development, and influence.
Bounce music plays a major role in the second season of HBO drama Tremé, which was broadcast in 2011 and is set in New Orleans in the aftermath of Hurrican Katrina. The season's second episode, "Everything I Do Gonh Be Funky", features a performance by bounce artists Big Freedia and Sissy Nobby.
Read more about this topic: Bounce Music
Famous quotes containing the word influence:
“We can trace almost all the disasters of English history to the influence of Wales.”
—Evelyn Waugh (1903–1966)
“They tell us that women can bring better things to pass by indirect influence. Try to persuade any man that he will have more weight, more influence, if he gives up his vote, allies himself with no party and relies on influence to achieve his ends! By all means let us use to the utmost whatever influence we have, but in all justice do not ask us to be content with this.”
—Mrs. William C. Gannett, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 5, ch. 8, by Ida Husted Harper (1922)
“I think of consciousness as a bottomless lake, whose waters seem transparent, yet into which we can clearly see but a little way. But in this water there are countless objects at different depths; and certain influences will give certain kinds of those objects an upward influence which may be intense enough and continue long enough to bring them into the upper visible layer. After the impulse ceases they commence to sink downwards.”
—Charles Sanders Peirce (1839–1914)