Plot
Two black bounty hunters, "Boss Nigger" and Amos (Fred Williamson and D'Urville Martin, respectively), ride into a small Western town in pursuit of fugitive Jed Clayton (William Smith). When they discover that the town has no sheriff, "Boss Nigger" takes that position for himself after outsmarting the cowardly white mayor (R.G. Armstrong). As sheriff, "Boss Nigger" kills several outlaws who work for Jed. He soon meets two women, Miss Pruit (Barbara Leigh), a white schoolteacher who falls in love with him, and Clara Mae, a black woman (Carmen Hayworth) who is saved by "Boss Nigger" early in the film. She is also in love with him. Mayor Griffin soon tries to rape Clara Mae. Mayor Griffin then alerts Jed of the new sheriff, and of the murder of and imprisonment of some of his outlaws. Jed and his outlaws then attempt to help the imprisoned outlaw escape by blowing a hole in the prison wall using dynamite. The plan does not go well. However, Jed and his outlaws tie "Boss Nigger" to a pole, and Jed tells him that he will die a slow, painful death. However, Amos and Clara Mae, who was kidnapped by Jed's men, help "Boss Nigger" escape. After he escapes, however, Jed and his men ride into town. Jed tries to rape Clara Mae, but she rejects him, and so he kills her with his revolver. A shootout occurs between Jed and his men and "Boss Nigger" and his allies. Jed and "Boss" have a face off, ending with "Boss Nigger" finally killing Jed. However,as he steps outside, "Boss" is shot twice and severely wounded by Mayor Griffin. "Boss" and Amos leave town after "Boss" kisses Miss Pruit goodbye. As they ride off, the theme song of Boss Nigger plays.
Read more about this topic: Boss Nigger
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (1856–1924)