Criticism
The Open Book Alliance – whose members include American Society of Journalists and Authors, Internet Archive, Amazon, Yahoo, National Writers Union and New York Library Association among others – maintain the deal would create a de facto exclusive license for Google because the deal grants no rights to the BRR to license books to competitors – copyright owners will have to license Google’s competitors voluntarily, while Google gets an involuntary, virtual compulsory license through class action process. As a result, only Google receives a license to “orphan books”, whose owners won’t show up to license competitors and which comprise an estimated 70% of books. In short, the settlement all but guarantees that Google would have permanent competitive advantages around comprehensiveness and cost. This is one reason why the Department of Justice is investigating the proposed deal and numerous non-profit organizations, academics and other stakeholders have condemned it.
Pam Samuelson, UC Berkeley Professor of Law says "Libraries everywhere are terrified that Google will engage in price-gouging when setting prices for institutional subscriptions to "the works"
Read more about this topic: Book Rights Registry
Famous quotes containing the word criticism:
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.”
—Leslie Fiedler (b. 1917)
“The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.”
—Walter Benjamin (1892–1940)