Style
Although frequently funny and thought-provoking, Lassiter was always caustic, always contrarian, and often downright mean. He typically began his show with a topical monologue that could last anywhere from five minutes to an hour to a full three-hour shift; the monologue was usually designed to incite his listeners to the point of blind rage, at which point he would begin to accept calls from people who were furious to the point of inarticulacy. As he once put it, "It dawned on me that if I talked for an hour, hour and a half, by the time I stopped these people weren't rational. And then I would just rip them to shreds." In fact, Lassiter showed extreme disdain and impatience with his callers, not hesitating to poke fun at them, subtly trap them into demonstrating their hypocrisy or lies, or even to insult them outright. "Get off my phone, you subhuman pig!" became one of his most famous catchphrases.
Lassiter famously began each hour of his show by giving the day of the week, date, and time (e.g., "Six minutes after the hour of eight o'clock; welcome back, funseekers. It's a Thursday night, September the twelfth, nineteen hundred and ninety six.") He also cultivated a number of signature sign-offs over the years. At WPLP he ended each show by saying "Behave yourselves", and playing "Take It To the Limit" by The Eagles; at WLS, he signed off with, "Love you, Chicago"; in his final years at WFLA he closed by playing an extended version of The Blues Brothers' "Sweet Home Chicago" as he continued speaking or answering phones, then finally playing a tape of a caller saying "That's it?...We're done?...well, have a good night then."
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Famous quotes containing the word style:
“Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.”
—William Burroughs (b. 1914)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“I never knew a writer yet who took the smallest pains with his style and was at the same time readable.”
—Samuel Butler (1835–1902)