Blood On The Dance Floor (song)
"Blood on the Dance Floor" is a song by Michael Jackson. The song was released as the first single from the remix album, Blood on the Dance Floor: HIStory in the Mix. Jackson and Teddy Riley created the track in time for the 1991 release of Dangerous. However, it did not appear on that record and was minimally altered before commercial release in 1997. The song is about a predatory woman by the name of Susie, who seduces Jackson before plotting to stab him with a knife. The composition explores a variety of genres ranging from rock to funk and Hi-NRG.
Commentators compared "Blood on the Dance Floor" to music from Dangerous. Others commented on the song's perceived aggressive tone and the vocal style, the broad genres heard and possible lyrical interpretations of the song. Reviews at the time of release were largely mixed, but contemporary reviews have been favorable. The song was promoted with a music video that premiered on Top of the Pops. It centered around Susie seducing Jackson in a courtship dance, before opening a switchblade. "Blood on the Dance Floor" was the only track from the remix album performed on the HIStory World Tour. The lead single peaked at number one in several countries, including the UK.
Read more about Blood On The Dance Floor (song): Production and Music, Commentary, Promotion, Chart Performance, Track Listing, Personnel, Charts
Famous quotes containing the words blood, dance and/or floor:
“There’s no true drop of blood in him to be truly touched with love; if he be sad, he wants money.”
—William Shakespeare (1564–1616)
“No imperfection in budded mountain,
Valleys breathe, heaven and earth move together,
daisies push inches of yellow air, vegetables tremble,
green atoms shimmer in grassy mandalas,
sheep speckle the mountainside, revolving their jaws with empty eyes,
horses dance in the warm rain,”
—Allen Ginsberg (b. 1926)
“Four and twenty at her back
And they were a’ clad out in green;
Tho the King of Scotland had been there
The warst o’ them might hae been his Queen.
On we lap and awa we rade
Till we cam to yon bonny ha’
Whare the roof was o’ the beaten gold
And the floor was o’ the cristal a’.”
—Unknown. The Wee Wee Man (l. 21–28)