Composition
Lenny Kravitz on the inspiration for Black Velveteen:
| “ | "Black Velveteen" is about technology and we're getting so pulled in by computers and technology and our kids have their face in the computers all day. We have our face in computers all day and the human relationship is being diminished by this so I figured, well ok, we're so into computers, and we're so into technology and now we're also beginning to play God and get into cloning and all kinds of things. So we don't like to have relationships we like to have them but we don't like to keep them and we don't know how to keep them. We give up quickly. Divorce is an easy option. So why not just create your own mate? And synthesize a human being. You get tired of it, you turn it off and put it in the closet, you know, like the vacuum cleaner. (laughs) You pull it out when you want it. Oh you don't want this one, and then you want, you start, it's probably going to happen one day. We're going to get to a really sick point of designing fake people." | ” |
Musically, the song, apart from having an electro-rock influence, features notable sound effects that can be associated with everyday machines, such as the vacuum cleaner and drill.
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Famous quotes containing the word composition:
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)
“There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.”
—Gertrude Stein (1874–1946)