Architecture
Chamberlain believed that the architecture of schools should provide a pleasant contrast from the drab homes and environment of their pupils. The Chamberlain schools were designed for hygiene, light, fresh air and beauty. Typically in red brick and terracotta, gabled, with steep roofs supported by large arches of internally exposed ironwork, and freely planned, they were towered to provide ventilation using the Plenum system, with fresh air being drawn in from above the polluted ground level, heated if necessary, and vented also from the tower. The tower was typically placed over the staircase to draw air through the school. There were terracotta plaques, glazed tiles, ornamental ironwork, tall windows, and stained glass. Martin & Chamberlain worked for low remuneration to enable a healthy education. The Pall Mall Gazette in 1894 stated:
- In Birmingham you may generally recognize a board school by its being the best building in the neighbourhood. In London it is almost vice versa. With lofty towers which serve the utilitarian purpose of giving excellent ventilation, gabled windows, warm red bricks and stained glass, the best Birmingham board schools have quite an artistic finish. In regard to light and air the worst schools are equal to the best in London.
Some of the schools are still in use as schools, some have other uses, and some have been demolished. Good examples are the Icknield Street School near the Hockley Flyover, north of the Jewellery Quarter, and Oozells Street Board School, now the Ikon Gallery.
Read more about this topic: Birmingham Board Schools
Famous quotes containing the word architecture:
“In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, High-Tech architecture is, of course, no different in spirit—if totally different in form—from all the romantic architecture of the past.”
—Dan Cruickshank (b. 1949)
“It seems a fantastic paradox, but it is nevertheless a most important truth, that no architecture can be truly noble which is not imperfect.”
—John Ruskin (1819–1900)
“And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind’s night-work,
The frolic architecture of the snow.”
—Ralph Waldo Emerson (1803–1882)