Composition
Byrne initially started writing music for the series in fall, 2006. He found himself attracted to the moral fascination of Big Love and identified with the characters in the series and decided to compose half a dozen hymns that would "imply that always aware of the religious underpinnings that they see as supporting their lifestyle and how they behave." To that end, he sought out Mormon hymnals, recordings of sacred music, and read up on the history of Mormonism. He was also inspired by the soundtrack work of Bernard Herrmann and Nino Rota. He visited the Los Angeles set of the series in early 2007 to talk with the producers about the second season's arc and returned to New York City to continue composing and recording based on what he had seen and the video the producers sent him. The episodes themselves aired from June through August that year and Byrne continued scoring and uploading his music via FTP, finishing on August 3, 2007. In preparing to release the album the following year, Byrne expanded some musical cues and added several hymns that were not included in the series itself.
Read more about this topic: Big Love: Hymnal
Famous quotes containing the word composition:
“Every thing in his composition was little; and he had all the weaknesses of a little mind, without any of the virtues, or even the vices, of a great one.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)
“Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.”
—Vladimir Nabokov (1899–1977)