Bernard Herrmann - Concert Works

Concert Works

  • The Forest: Tone poem for Large Orchestra (1929)
  • November Dusk: Tone Poem for Large Orchestra (1929)
  • Tempest and Storm: Furies Shrieking!: for Piano (1929)
  • The Dancing Faun and The Bells: Two Songs for Medium Voice and Small Chamber Orchestra (1929)
  • Requiescat: Violin and Piano (1929)
  • Twilight: Violin and Piano (1929)
  • March Militaire (1932), ballet music for Americana Revue (1932)
  • Aria for Flute and Harp (1932)
  • Variations on "Deep River" and "Water Boy" (1933)
  • Prelude to Anathema: for Fifteen Instruments (1933)
  • Silent Noon: for Fourteen Instruments (1933)
  • The Body Beautiful (1935), music from the Broadway play
  • Nocturne and Scherzo (1935)
  • Sinfonietta for Strings (1935)
  • Currier and Ives Suite (1935)
  • Violin Concerto: Unfinished (1937)
  • Moby Dick: Cantata (1937)
  • Johnny Appleseed: Unfinished Cantata (1940)
  • Symphony (1941)
  • The Fantasticks (1942)
  • The Devil and Daniel Webster Suite (1942)
  • For the Fallen (1943)
  • Welles Raises Kane (1943)
  • Echoes: String Quartet (1965)
  • Souvenirs de Voyage (1967)

Read more about this topic:  Bernard Herrmann

Famous quotes containing the words concert and/or works:

    ... in the cities there are thousands of rolling stones like me. We are all alike; we have no ties, we know nobody, we own nothing. When one of us dies, they scarcely know where to bury him.... We have no house, no place, no people of our own. We live in the streets, in the parks, in the theatres. We sit in restaurants and concert halls and look about at the hundreds of our own kind and shudder.
    Willa Cather (1873–1947)

    I meet him at every turn. He is more alive than ever he was. He has earned immortality. He is not confined to North Elba nor to Kansas. He is no longer working in secret. He works in public, and in the clearest light that shines on this land.
    Henry David Thoreau (1817–1862)