Music
Bergamo has a prominent place in music history. The large Romanesque church of Santa Maria Maggiore, begun in 1137, had a continuous and well-documented tradition of music teaching and singing for more than eight hundred years. When the town was under Venetian control, the musical style of the Venetians was imported as well; in particular, a large instrumental ensemble grew up to support the choral singing. Composers such as Gasparo Alberti produced music with polyphony using two organs, brass and viols, a style usually associated with Venice, but which flourished in the fine acoustic environment of Santa Maria Maggiore.
The city lent its name to a style of folk dance known as bergamask peculiar to the peoples of that region. Known as bergomasci and renowned for their buffoonery, the fool Bottom in Shakespeare's A Midsummer's Night's Dream refers to their Bergomask dance. This unconventional form gave Debussy a vehicle for the dissonances and irregular intervals of his "Suite bergamasque".
Prominent musicians born in Bergamo include Gaetano Donizetti, Pietro Locatelli, Antonio Lolli, Gianluigi Trovesi, Roby Facchinetti, Fabrizio Frigeni and Gianandrea Gavazzeni. Alessandro Grandi, one of the most progressive composers of the early 17th century after Monteverdi, was maestro di cappella there until his death in the plague of 1630; Tarquinio Merula, an even more progressive composer, and one of the founders of the early sonata, took over his post.
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