Belper North Mill - Processes

Processes

Each of the mill's five floors housed different stages of the cotton spinning processes.

Raw cotton bales were unloaded from carts at the ground floor loading bay. The opening and cleaning machines broke the bales down and prepared the cotton into 'lap' form which was taken to the third and fourth floor carding rooms, housing three rows of carding engines, over 130. Carding machines disentangle the cotton fibres to produce a long continuous 'sliver'. Sixteen drawing frames, sometimes called lantern frames, straightened the fibres and pulled the 'slivers' into 'rovings' putting in a slight twist so they were ready for spinning. The rovings were coiled into large cans which were taken to the first and second floor.

Both the first and second floors originally housed thirty-four Arkwright water frames which spun 4236 ends simultaneously. This meant that 4236 rovings were continuously twisted together to become threads that were collected on a small bobbins. Later mule spinning machines were introduced to produce finer thread types which were in demand. The bobbins were sent to the fifth floor. On the fifth floor, reeling frames wound the spun thread into 'skeins' ready for dyeing at a factory in Milford. Doubling frames twisted two or more single spun thread together to make thicker and stronger thread. The amount of twist imparted determined the thread's properties.

The attic was later used as a schoolroom.

Read more about this topic:  Belper North Mill

Famous quotes containing the word processes:

    The vast results obtained by Science are won by no mystical faculties, by no mental processes other than those which are practiced by every one of us, in the humblest and meanest affairs of life. A detective policeman discovers a burglar from the marks made by his shoe, by a mental process identical with that by which Cuvier restored the extinct animals of Montmartre from fragments of their bones.
    Thomas Henry Huxley (1825–95)

    The higher processes are all processes of simplification. The novelist must learn to write, and then he must unlearn it; just as the modern painter learns to draw, and then learns when utterly to disregard his accomplishment, when to subordinate it to a higher and truer effect.
    Willa Cather (1873–1947)

    Our bodies are shaped to bear children, and our lives are a working out of the processes of creation. All our ambitions and intelligence are beside that great elemental point.
    Phyllis McGinley (1905–1978)