Beck's Bolero - Recording

Recording

"Beck's Bolero" was recorded at IBC Studios in London on 16 May 1966, and involved some controversy and secrecy among its performers. John Entwistle of The Who, originally scheduled to play bass, could not attend, so John Paul Jones (then a well-respected London session musician, later a member of Led Zeppelin with Page) was called in as a last-minute replacement. Beck, Page, fellow session player Hopkins, Jones, and Entwistle's bandmate Moon planned to record a whole album, but contractual obligations prevented them from recording together again. "Beck's Bolero" became the only recording from the session to be released.

Beck played a Gibson Les Paul for the lead guitar parts and the backwards slide parts through a Vox AC30 amplifier. Jimmy Page played a Fender XII 12-string electric guitar for the rhythm guitar parts.

Moon came to the session in disguise so no one would know he was playing with a band other than The Who. Beck later claimed that Pete Townshend "glared like daggers at me" after he found out about the recording sessions.

Read more about this topic:  Beck's Bolero

Famous quotes containing the word recording:

    Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.
    Jane Heap (c. 1880–1964)

    He shall not die, by G—, cried my uncle Toby.
    MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.
    Laurence Sterne (1713–1768)

    Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.
    Jessie Tarbox Beals (1870–1942)