History
The abbey was founded by Robert FitzRanulf de Alfreton. Thomas Tanner, writing in 1695, stated that it was founded in 1183. However, Samuel Pegge in his History of Beauchief Abbey noted that Albinas, the abbot of Derby, who was one of the witnesses to the charter of foundation, died in 1176, placing foundation before that date. The abbey was dedicated to Saint Mary and Saint Thomas Becket, who had been canonised in 1172. Tanner stated that Robert FitzRanulf was one of the murderers of Thomas Becket and founded the abbey to expiate his guilt. Pegge also disputed this fact, showing that Robert FitzRanulf had no connection with the murder.
The abbey was of the Premonstratensian order founded by Saint Norbert at Prémontré in France. Members of the order are known as White Canons. Beauchief was a small house comprising around 12 to 15 canons plus lay brothers. It had the full range of monastic buildings including the abbey church, cloisters, chapter house, dormitory and refectory. A stream provided water to the Abbey and to fish ponds.
As with most monastic sites, Beauchief was an industrial as well as a religious centre. Farming on the Beauchief estate and on outlying manors was important and the monastery also controlled iron smelting, mineral extraction, woodland industries and mills on the River Sheaf.
The Abbey was dissolved in 1537 and the estate became the property of Sir Nicholas Strelley, from whom it descended to the Pegge family through the marriage of Edward Pegge of Ashbourne, Derbyshire to Gertrude Strelley, heiress of the Strelley's, in Norton on 17 July 1648. In 1671 Edward Pegge built Beauchief Hall using stone from the now ruined Abbey. In 1923 the estate was purchased by Mr Frank Crawshaw. Some of the land was sold for housing development but much was presented to Sheffield Corporation.
Read more about this topic: Beauchief Abbey
Famous quotes containing the word history:
“The true theater of history is therefore the temperate zone.”
—Georg Wilhelm Friedrich Hegel (1770–1831)
“I believe that history has shape, order, and meaning; that exceptional men, as much as economic forces, produce change; and that passé abstractions like beauty, nobility, and greatness have a shifting but continuing validity.”
—Camille Paglia (b. 1947)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)