Baud - Relationship To Gross Bit Rate

Relationship To Gross Bit Rate

The symbol rate is related to but should not be confused with gross bit rate expressed in bit/s. The term baud rate has sometimes incorrectly been used to mean bit rate, since these rates are the same in old modems as well as in the simplest digital communication links using only one bit per symbol, such that binary "0" is represented by one symbol, and binary "1" by another symbol. In more advanced modems and data transmission techniques, a symbol may have more than two states, so it may represent more than one bit (a bit (binary digit) always represents one of exactly two states).

If N bits are conveyed per symbol, and the gross bit rate is R, inclusive of channel coding overhead, the symbol rate fs can be calculated as:

In that case M=2N different symbols are used. In a modem, these may be sinewave tones with unique combinations of amplitude, phase and/or frequency. For example, in a 64QAM modem, M=64, and so the bit rate is N=6 times the baud rate. In a line code, these may be M different voltage levels.

The ratio might not even be an integer; in 4B3T coding, the bit rate is 4/3 the baud rate. (A typical basic rate interface with a 160 kbit/s raw data rate operates at 120 kbaud.) On the other hand, Manchester coding has a bit rate equal to 1/2 the baud rate.

By taking information per pulse N in bit/pulse to be the base-2-logarithm of the number of distinct messages M that could be sent, Hartley constructed a measure of the gross bitrate R as:

Read more about this topic:  Baud

Famous quotes containing the words relationship to, relationship, gross, bit and/or rate:

    Poetry is above all a concentration of the power of language, which is the power of our ultimate relationship to everything in the universe.
    Adrienne Rich (b. 1929)

    Living in cities is an art, and we need the vocabulary of art, of style, to describe the peculiar relationship between man and material that exists in the continual creative play of urban living. The city as we imagine it, then, soft city of illusion, myth, aspiration, and nightmare, is as real, maybe more real, than the hard city one can locate on maps in statistics, in monographs on urban sociology and demography and architecture.
    Jonathan Raban (b. 1942)

    There are moods in which one feels the impulse to enter a tacit protest against too gross an appetite for pure aesthetics in this starving and sinning world. One turns half away, musingly, from certain beautiful useless things.
    Henry James (1843–1916)

    Scarlett O’Hara: Oh, oh, Rhett. For the first time I’m finding out what it is to be sorry for something I’ve done.
    Rhett Butler: Dry your eyes. If you had it all to do over again, you’d do no differently. You’re like the thief who isn’t the least bit sorry he stole, but he’s terribly, terribly sorry he’s going to jail.
    Sidney Howard (1891–1939)

    If you could choose your parents,... we would rather have a mother who felt a sense of guilt—at any rate who felt responsible, and felt that if things went wrong it was probably her fault—we’d rather have that than a mother who immediately turned to an outside thing to explain everything, and said it was due to the thunderstorm last night or some quite outside phenomenon and didn’t take responsibility for anything.
    D.W. Winnicott (20th century)