Urban Environment
The Shaliyar community settlement spreads over an area of about 13 acres (53,000 m2) towards the South of NH-47. Main entrance is from NH-47 to the 9 m wide Single Street. The entry is not well defined. The Single Street with two story buildings on either side act as an axis with the Agasthiar temple being the focal point. The Single street, Double street and the New street are the main streets The Agasthiar temple is placed at the point of intersection of the these streets. The streets form a major interaction space as the row houses abut the streets with no front yard.
The houses of the Shaliyar weavers reflect their culture, occupation, and religious beliefs. They have rectangular layouts with houses sharing common walls. All the houses have production units attached to them. The houses of the weathier families have showrooms. The special kind of architectural detailing of the facades, internal courtyards, and the arrangement of rooms to suit the occupation of weaving, make the houses unique in nature.
There is very little open space or car parking facilities within the settlement. The streets are dotted with community wells. Lack of infrastructure like levelled roads, public water supply, street drains and sewerage are some problems faced by the community. In most places the streets are not levelled and are not accessible for vehicles.
Read more about this topic: Balaramapuram
Famous quotes containing the words urban and/or environment:
“Commercial jazz, soap opera, pulp fiction, comic strips, the movies set the images, mannerisms, standards, and aims of the urban masses. In one way or another, everyone is equal before these cultural machines; like technology itself, the mass media are nearly universal in their incidence and appeal. They are a kind of common denominator, a kind of scheme for pre-scheduled, mass emotions.”
—C. Wright Mills (191662)
“Today the young actors regard their environment with rage and disgust. They regard their Master not as disciples regard their Master, but as slaves regard their Master.”
—Judith Malina (b. 1926)