Stories
Aunt Dahlia is featured in many Jeeves stories, across most of Wodehouse's writing career:
- "Clustering Round Young Bingo" (1925) – short story, collected in Carry on, Jeeves (1925)
- "Jeeves and the Song of Songs" (1929) – short story, collected in Very Good, Jeeves (1930)
- "The Spot of Art" (1929) – short story, collected in Very Good, Jeeves (1930)
- "The Love That Purifies" (1929) – short story, collected in Very Good, Jeeves (1930)
- "The Ordeal of Young Tuppy" (1930) – short story, collected in Very Good, Jeeves (1930)
- Right Ho, Jeeves (1934) – novel
- The Code of the Woosters (1938) – novel
- Jeeves and the Feudal Spirit (1954) – novel
- "Jeeves Makes an Omelette" (1958) – short story, collected in A Few Quick Ones (1959)
- Jeeves in the Offing (1960) – novel
- Stiff Upper Lip, Jeeves (1963) – novel
- "Jeeves and the Greasy Bird" (1965) – short story, collected in Plum Pie (1967)
- Much Obliged, Jeeves (1971) – novel
- Aunts Aren't Gentlemen (1974) – novel
Aunt Dahlia or her Milady's Boudoir are mentioned in:
- "The Awful Gladness of the Mater" (1925) – short Mr Mulliner story (mention of Milady's Boudoir), collected in Mr Mulliner Speaking (1929)
- Joy in the Morning (1946) – Jeeves novel (chap. VII, XII)
Read more about this topic: Aunt Dahlia
Famous quotes containing the word stories:
“A man is known by the books he reads, by the company he keeps, by the praise he gives, by his dress, by his tastes, by his distastes, by the stories he tells, by his gait, by the notion of his eye, by the look of his house, of his chamber; for nothing on earth is solitary but every thing hath affinities infinite.”
—Ralph Waldo Emerson (1803–1882)
“Every one of my friends had a bad day somewhere in her history she wished she could forget but couldn’t. A very bad mother day changes you forever. Those were the hardest stories to tell. . . . “I could still see the red imprint of his little bum when I changed his diaper that night. I stared at my hand, as if they were alien parts of myself . . . as if they had betrayed me. From that day on, I never hit him again.””
—Mary Kay Blakely (20th century)
“Television programming for children need not be saccharine or insipid in order to give to violence its proper balance in the scheme of things.... But as an endless diet for the sake of excitement and sensation in stories whose plots are vehicles for killing and torture and little more, it is not healthy for young children. Unfamiliar as yet with the full story of human response, they are being misled when they are offered perversion before they have fully learned what is sound.”
—Dorothy H. Cohen (20th century)