Asmodeus (Dungeons & Dragons) - Description

Description

Through all four editions of Dungeons & Dragons, Asmodeus is depicted as the strongest, most cunning, and most handsome of all devils. He is typically described as appearing as a giant human, over 13 feet tall, with dark skin and hair, red eyes, handsome features, and small horns on his forehead. He dresses in regal finery of unimaginable expense (the cost is the same a country used on food in a year). Beneath his clothing, Asmodeus' body is covered in bloody wounds which he sustained when he fell from the Upper Planes. His wounds ooze blood daily, and the drops of his blood which touch the ground grow into powerful devils, normally Pit Fiends that are mad with rage and the desire to kill. Blood from these Pit Fiends that hits the ground grows into lesser devils.

Asmodeus is never seen without his Ruby Rod (also referred to as The Rod of the Asmodeus in The Book of Vile Darkness and in Fiendish Codex II), a glowing rod of pure ruby that serves as a badge of office as well as having several powerful offensive and defensive powers. The Rod allows Asmodeus to attack with elemental forces, force his enemies to cower in fear, or cover himself with a field which heals and protects him. It is also a powerful melee weapon that causes great harm to those struck by it or who touch it against Asmodeus's will. In the default 4th edition setting, the Ruby Rod is a fragment of the shard of pure evil that created the Abyss, but this origin is not suggested in earlier editions.

Read more about this topic:  Asmodeus (Dungeons & Dragons)

Famous quotes containing the word description:

    As they are not seen on their way down the streams, it is thought by fishermen that they never return, but waste away and die, clinging to rocks and stumps of trees for an indefinite period; a tragic feature in the scenery of the river bottoms worthy to be remembered with Shakespeare’s description of the sea-floor.
    Henry David Thoreau (1817–1862)

    The Sage of Toronto ... spent several decades marveling at the numerous freedoms created by a “global village” instantly and effortlessly accessible to all. Villages, unlike towns, have always been ruled by conformism, isolation, petty surveillance, boredom and repetitive malicious gossip about the same families. Which is a precise enough description of the global spectacle’s present vulgarity.
    Guy Debord (b. 1931)

    To give an accurate description of what has never occurred is not merely the proper occupation of the historian, but the inalienable privilege of any man of parts and culture.
    Oscar Wilde (1854–1900)