Twentieth Century
Controversy soon became a way of life for American artists. In fact, much of American painting and sculpture since 1900 has been a series of revolts against tradition. "To hell with the artistic values," announced Robert Henri (1865–1929). He was the leader of what critics called the Ashcan school of painting, after the group's portrayals of the squalid aspects of city life. American realism became the new direction for American visual artists at the turn of the 20th century. The Ashcan painters George Bellows, Everett Shinn, George Benjamin Luks, William Glackens, and John Sloan were among those who developed socially conscious imagery in their works. The photographer Alfred Steiglitz (1864–1946) led the Photo-Secession movement, which created pathways for photography as an emerging art form. Soon the Ashcan school artists gave way to modernists arriving from Europe—the cubists and abstract painters promoted by Stieglitz at his 291 Gallery in New York City. John Marin, Marsden Hartley, Alfred Henry Maurer, Arthur B. Carles, Arthur Dove, Henrietta Shore, Stuart Davis, Stanton MacDonald-Wright, Morgan Russell, Patrick Henry Bruce, Andrew Dasburg, Georgia O'Keeffe, and Gerald Murphy were some important early American modernist painters. Early modernist sculptors in America include William Zorach, Elie Nadelman, and Paul Manship.
After World War I many American artists rejected the modern trends emanating from the Armory Show and European influences such as those from the School of Paris. Instead they chose to adopt various—in some cases academic—styles of realism in depicting American urban and rural scenes. Grant Wood, Reginald Marsh, Guy Pène du Bois, and Charles Sheeler exemplify the realist tendency in different ways. Sheeler and the modernists Charles Demuth and Ralston Crawford were referred to as Precisionists for their sharply defined renderings of machines and architectural forms. Edward Hopper, who studied under Henri, developed an individual style of realism by concentrating on light and form, and avoiding overt social content.
Read more about this topic: Arts In The United States
Famous quotes related to twentieth century:
“A writer is in danger of allowing his talent to dull who lets more than a year go past without finding himself in his rightful place of composition, the small single unluxurious ‘retreat’ of the twentieth century, the hotel bedroom.”
—Cyril Connolly (1903–1974)
“The real passion of the twentieth century is servitude.”
—Albert Camus (1913–1960)
“The descendants of Holy Roman Empire monarchies became feeble-minded in the twentieth century, and after World War I had been done in by the democracies; some were kept on to entertain the tourists, like the one they have in England.”
—Ishmael Reed (b. 1938)
“One of the peculiar sins of the twentieth century which we’ve developed to a very high level is the sin of credulity. It has been said that when human beings stop believing in God they believe in nothing. The truth is much worse: they believe in anything.”
—Malcolm Muggeridge (1903–1990)
“If the twentieth century is to be better than the nineteenth, it will be because there are among us men who walk in Priestley’s footsteps....To all eternity, the sum of truth and right will have been increased by their means; to all eternity, falsehoods and injustice will be the weaker because they have lived.”
—Thomas Henry Huxley (1825–95)