Arts and Letters (1966–1998) was an American Hall of Fame Champion Thoroughbred racehorse.
Owned and bred by American sportsman and noted philanthropist Paul Mellon, and trained by future Hall of Famer Elliott Burch, the colt began racing at age two. He won two of his six starts in 1968, then at age three won two important Kentucky Derby prep races before finishing second in both the Derby and the Preakness Stakes to the undefeated California colt Majestic Prince.
He carried the well-known colors of dark grey, yellow braids, sleeves, and cap. Arts and Letters came back to win the 1½ mile Belmont Stakes, after which second-place finisher Majestic Prince was retired due to injury. Arts and Letters went on to win several more important races in 1969, and was voted three major awards, including the most prestigious: American Horse of the Year.
At age four, Arts and Letters won one of three races. His career ended after he suffered an injury in the Californian Stakes.
Read more about Arts And Letters: Legacy
Famous quotes containing the words arts and, arts and/or letters:
“I should say that the most prominent scientific men of our country, and perhaps of this age, are either serving the arts and not pure science, or are performing faithful but quite subordinate labors in particular departments. They make no steady and systematic approaches to the central fact.... There is wanting constant and accurate observation with enough of theory to direct and discipline it. But, above all, there is wanting genius.”
—Henry David Thoreau (1817–1862)
“I haven’t seen so much tippy-toeing around since the last time I went to the ballet. When members of the arts community were asked this week about one of their biggest benefactors, Philip Morris, and its requests that they lobby the New York City Council on the company’s behalf, the pas de deux of self- justification was so painstakingly choreographed that it constituted a performance all by itself.”
—Anna Quindlen (b. 1952)
“How do we know, then, when a code’s been cracked? ... when we are right? ... when do we know if we have even received a message? Why, naturally, when, upon one set of substitutions, sense emerges like the outline under a rubbing; when a single tentative construal leads to several; when all the sullen letters of the code cry TEAM! after YEA! has been, by several hands, uncovered.”
—William Gass (b. 1924)