Artistic Dress
Dante Gabriel Rossetti and other members of the Pre-Raphaelite Brotherhood were conscious archaizers, emulating the work of the "old masters" and choosing romantic, medieval subjects. They dressed their models in long flowing gowns loosely inspired by styles of the Middle Ages. These styles were then adopted by the painters' wives and models for everyday dress. Dresses were loosely fitted and comparatively plain, often with long puffed sleeves; they were made from fabric in muted colors derived from natural dyes, and could be ornamented with embroidery in the art needlework style. Artistic dress was an extreme contrast to the tight corsets, hoop skirts and bustles, bright synthetic aniline dyes, and lavish ornamentation seen in the mainstream fashion of the period.
In the 1860s, artistic dress became popular in intellectual circles and among artists for its natural beauty; it also reinforced their social ideals of quality materials, respect for the work of the hands, and the purity of medieval design.
Read more about this topic: Artistic Dress Movement
Famous quotes containing the words artistic and/or dress:
“Some are able and humane men and some are low-grade individuals with the morals of a goat, the artistic integrity of a slot machine, and the manners of a floorwalker with delusions of grandeur.”
—Raymond Chandler (18881959)
“Our passions do not live apart in locked chambers but dress in their small wardrobe of notions, bring their provisions to a common table and mess together, feeding out of the common store according to their appetite.”
—George Eliot [Mary Ann (or Marian)