Length of The Exhibition
One factor that influences how well materials will fare in an exhibition is the length of the show. The longer an item is exposed to harmful environmental conditions, the more likely that it will experience deterioration. Many museums and libraries have permanent exhibitions, and installed exhibitions have the potential to be on the view without any changes for years.
Damage from a long exhibition is usually caused by light. The degree of deterioration is different for each respective object. For paper-based items, the suggested maximum length of time that they should be on display is three months per year, or 42 kilolux hours of light per year – whichever comes first.
An exhibition log report, including records of the length of the exhibition time and the light level of the display, may prevent objects from being exhibited too frequently. Displayed items need to be inspected regularly for evidence of damage or change. It is recommended that high-quality facsimiles of especially delicate or fragile materials be displayed in lieu of originals for longer exhibitions.
Read more about this topic: Art Exhibitions, Preservation Issues
Famous quotes containing the words length of the, length of, length and/or exhibition:
“You will, I am sure, agree with me that ... if page 534 only finds us in the second chapter, the length of the first one must have been really intolerable.”
—Sir Arthur Conan Doyle (1859–1930)
“Unless a group of workers know their work is under surveillance, that they are being rated as fairly as human beings, with the fallibility that goes with human judgment, can rate them, and that at least an attempt is made to measure their worth to an organization in relative terms, they are likely to sink back on length of service as the sole reason for retention and promotion.”
—Mary Barnett Gilson (1877–?)
“The grace of novelty and the length of habit, though so very opposite to one another, yet agree in this, that they both alike keep us from discovering the faults of our friends.”
—François, Duc De La Rochefoucauld (1613–1680)
“Work, as we usually think of it, is energy expended for a further end in view; play is energy expended for its own sake, as with children’s play, or as manifestation of the end or goal of work, as in “playing” chess or the piano. Play in this sense, then, is the fulfillment of work, the exhibition of what the work has been done for.”
—Northrop Frye (1912–1991)