Army of Africa (France) - Composition

Composition

These included indigenous Arab or Berber volunteers (Spahis, Goumiers and Tirailleurs); regiments largely made up of French settlers doing their military service (Zouaves and Chasseurs d'Afrique); and non-French volunteers (French Foreign Legion). The divisions were not absolute and (for example) volunteers or conscripts from mainland France might choose to serve with the Muslim rank and file of the Spahis and Tirailleurs, while Arab volunteers might appear amongst the ranks of the Zouaves.

In May 1913 a limited form of selective conscription was applied to the Muslim population of Algeria. Only 2,000 conscripts a year were obtained by this method out of approximately 45,000 possible candidates and Muslim enlistment remained predominately voluntary in peacetime. As in France itself, military service was an obligation of citizenship and all physically fit male settlers of French origin were required to undertake two years of compulsory service (three years from 1913).

Officers of all branches of the Army of Africa were predominantly French, though a certain number of commissioned positions up to and including the rank of captain were reserved for Muslim personnel in the spahis and tirailleurs.

Read more about this topic:  Army Of Africa (France)

Famous quotes containing the word composition:

    When I think of God, when I think of him as existent, and when I believe him to be existent, my idea of him neither increases nor diminishes. But as it is certain there is a great difference betwixt the simple conception of the existence of an object, and the belief of it, and as this difference lies not in the parts or composition of the idea which we conceive; it follows, that it must lie in the manner in which we conceive it.
    David Hume (1711–1776)

    Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.
    James Boswell (1740–1795)

    There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.
    Gertrude Stein (1874–1946)