Terms
Several terms of the world of Aqua are derived from elemental mythology:
- Undine (水先案内人, Undīne?)
- A female gondolier acting as a refined tour guide for visitors to Neo-Venezia.
- Pair (ペア, Pea?)
- An apprentice undine who has just begun practising sculling a gondola. A Pair is recognized by her pair of gloves, worn to protect her hands as she builds up calluses. When a Pair is promoted to Single, she removes one glove. This is translated by Nozomi and ADV as "Pair", and by Tokyopop as "apprentice".
- Single (シングル, Shinguru?)
- A journeyman undine qualified to take customers only under supervision. So-called because she wears only one glove. This is translated by Nozomi and ADV as "Single", and by Tokyopop as "journeyman".
- Prima (プリマ, Purima?)
- A fully qualified undine. A Prima does not wear gloves. This is translated by Nozomi and ADV as "Prima", and by Tokyopop as "full-fledged Undine".
- Salamander (火炎之番人, Saramandā?)
- A person working at controlling the weather and adding heat to the atmosphere as part of terraforming Aqua. Salamanders live in floating islands tethered at high altitude.
- Gnome (地重管理人, Nōmu?)
- A person working underground to regulate the gravity of Aqua, so that it is as strong as Manhome (Earth). Because of their environment, most gnomes are short and have bad eyesight.
- Sylph (風追配達人, Shirufu?)
- A person who makes deliveries by air bike. Deliveries are done by air in Neo-Venezia because only unpowered watercraft such as gondolas are allowed in the smaller canals of the city.
- Traghetto
- A gondola designed to ferry a number of people across the Grand Canal. Because of its size and the number of passengers, the gondola is rowed by two Singles.
- Three Water Fairies
- Neo-Venezia's three most accomplished undines at the time of the series: Alicia Florence, Akira E. Ferrari, and Athena Glory.
Read more about this topic: Aria (manga)
Famous quotes containing the word terms:
“TheologyAn effort to explain the unknowable by putting it into terms of the not worth knowing.”
—H.L. (Henry Lewis)
“Of course Im a black writer.... Im not just a black writer, but categories like black writer, woman writer and Latin American writer arent marginal anymore. We have to acknowledge that the thing we call literature is more pluralistic now, just as society ought to be. The melting pot never worked. We ought to be able to accept on equal terms everybody from the Hassidim to Walter Lippmann, from the Rastafarians to Ralph Bunche.”
—Toni Morrison (b. 1931)
“The intimate revelations of young men, or at least the terms in which they express them, are usually plagiaristic and marred by obvious suppressions.”
—F. Scott Fitzgerald (18961940)